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free connections |
free connections means, that the different elements of a participation project not not fixid to each other. They have a more or less big proximity to each other. They should demonstrate, that the total has more quality then the simple addition of single parts. |
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different versions of combining tree-trunks : left - each trunk is painted differently by each participant. | ||||||
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| field of urns |
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in a
certain sense the national Belorussian memory Kathyn for the victims of the
second world war is also a participation project. It was the concept of the
architect Levin, to add as may urns in a field assemble as there were
Belorussian villages, which were burnt down by the German fascists. The "participation"
of every village consisted in safeguarding the traces in the form of ashes
in the different urns.
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| a field of sails |
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| in the KAJA summer camp 03 in Braslaw it was the concept of the Dutch artist Dan Ooms to converting the hilly landscape to the Dutch northsea. This vision was joined by the participants of the "sails"- workshop. It then seemed reasonable to fit the sea with different forms of sails . Here the connection of most single and individual projects is only evident by knowing the conception behind it. | |||||||
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| Securing of traces |
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"Securing of traces", art direction of the 1970s years which wants to investigate the traces of mythical prehistoric times, the aurochs and childhood times of mankind, also the past of one's own. This happens in the gown archaeolog. fact - finding, partly in systemat. (though fictitious) collection. These princips of searching, collecting and arranging we could develop as a participation project for our summer camps, to which one participant ( only ! ) adds one piece. | |||||
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wait - looking for pictures
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| "collective thank you" : collecting log pieces and arranging a text | |||||||
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| oven - project securing memory |
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| after a hut was burnt during the KAJA Camp 03, a qorkshop group "oven" collected memory-pieces from the ashes und used them for different temporary installations and performances | |||||||
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| participation action |
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introducing the participants of a camp by an individual balloon -design | |
| next : participation paintings | |||||||
| b a c k to overview participation projects | |||||||
| h o m e | |||||||